I found myself beginning to write a story last year, thinking it would take maybe a few weeks, and now a year later it's maybe halfway done? Since it's taken on a life of its own and is turning into more of a novella than a short story, I thought I'd read some books aimed at helping me be a better writer, or at least a more productive one, because I do want to finish the thing sooner rather than later.
One was
No Plot? No Problem! by Chris Baty, the original founder of NaNoWriMo. (My sense of timing is, as usual, inexplicable: the nonprofit organization that formed around NaNoWriMo announced a few days ago that it is shutting down.) I've never been interested in trying to cram an entire novel's worth of writing into 30 days, but I'm sure there's something to be said for how that strategy forces you to seek out a productive flow state. I did glean a few tips on how to access creative juices on days when it feels like the well has run dry, but much of the advice concerns hitting specific word count targets, which I find off-putting.
The other book,
The Happy Writer by Marissa Meyer (author of
the Lunar Chronicles, which I had no idea was a NaNoWriMo product), had tips for a more sustainable pursuit of the craft. Like many of the books I've read so far this year, this project started out as a podcast, and both books include words of advice from other successful authors. Part I talks about how to seek ideas and spark creativity, so there's some thematic overlap there. Part II contains good strategies for overcoming distraction and procrastination in any endeavor, not just writing. Part III presented the ideas that really challenged me - references to narrative structure, and how to formulate an outline that helps to achieve that structure. I've always been what the author refers to here as a "Pantser" instead of a "Plotter" (and I do have to say, I much prefer my DM's terms of "Gardener" and "Architect") - someone who figures out what the story is by writing it and seeing what happens, knowing the destination but not the shape of the journey. So actually thinking about narrative structure explicitly instead of intuitively is something that I'm sure I will find helpful... in my second draft.
I didn't read Parts IV-VI because they targeted the business of being a professional writer, instead of someone doing a one-off project on a lark, but overall I would characterize the Meyer book as much informative and helpful than the Baty one, which largely consists of irreverent cheerleading.